Ceramics

The ceramics is created by the artist from china.

The idea The highest power is the power to give, nurture, and illuminate life, both woman's and nature's life-giving and sustaining powers are sacred. The Goddess is a reflection of the collection of feminine powers in the spiritual realm, and the Goddess is a reflection of both nature and ourselves. The process of reawakening our belief in the Goddess is therefore also a process of rediscovering the power of love in our bodies. When our bodies are empowered, our spirituality is also filled with power. According to Riane Eisler's theory of cultural transformation, when individual awakenings accumulate into a wave of thought, this power becomes the 'attractors' in a stable dynamic system (mainstream society) oscillating and leading us towards a new direction, and towards a future of a partnership culture. Riane further stated that "how we image the human body plays a central role in how we image the world". How we perceive and do with our bodies is political, and who has the power to decide both is essentially political. If we reconceptualised the female body from an object dominated by men to a sexual and spiritual power, it will be a key catalyst to the shift towards a modern partnership society project.

In an attempt to reconceptualise the female body, I combined ancient European goddess symbols with modern biological and anatomical findings on the female body and created my own set of goddess symbols. I also hope to reconstruct the viewer's sense of the female body and the life-creating power within it as sacred. As such, I collaborated with other artists on a photographic project titled’ the body is a sacred shrine’ creating an intimate interaction between the models and the ceramics.

In my artwork, I felt my spirit resonated with the ancient partnership spirits and it empowered my feminine power.

I based on her idea to do a photo shoot.