Reflecting on why I selected to do small art work ? and to understand more of what I remember like o

I often think that making a large artwork will be more appreciated by others, so I always want to make something big, but the fantasy works in my mind are often small works, which makes me feel unhappy and uneasy.

In a tutorial with Jonathan Kearney, he convinced me that it is not necessary to have a long-term idea for a piece, but to try it first and then see if the idea has a longer-term chance, which I actually agree with.

If I try to create that work, if I don't like to do it, I can't do it, but if I don't try, I can't know whether the work has the possibility of development or not.

And I think I have this problem because I don't know enough about my own mindset.

In the course of my practice, I feel that I'm actually kind of fast in my work efficiency, I just have to start the work earlier to be able to do a better and more diverse work.

In my practice I feel that I am doing something about human behavior and psychology every time, so I would like to study more books about human behavior and psychology in the future.

What I am most curious about in human behavior is the extent to which human behavior is measured by numbers, and the various research instruments we can use in order to measure human behavior. These instruments can be divided into qualitative and quantitative measurements.

A very important part of the study of human behavior is to make observations. What better way to judge a person's behavior than by observing that person? All human decisions are based on a sequential approach.

I hope to include more elements of Praxeology in my future research. For example, from Praxeology, I can actually calculate how to make people feel that my work is beautiful. What determines our aesthetics, what makes us think that someone is beautiful, that a certain rhythm is beautiful, or that an artwork is beautiful?